Post by Sarah Leidhold on Mar 19, 2016 3:22:43 GMT
I.
Fingers pull in pulses
chill from plastic
of the Brita filter,
cradled like a newborn,
as I stumble out onto
the bedazzled street.
I ask them, empty
paper cups outstretched,
“need a drink?”
and their eyes
see through me
to the people
whose parts are
splayed on the street.
II.
One woman
holds her hand
over the candles
barely burning
in her eyes
so the chill
of November
won’t blow them out;
tonight is not a birthday.
The lilies that live
on the waxy skin
of the Dixie cup
bloom in bruises
blue and red,
as she sips
the lifeforce down.
III.
Police push us back
onto some sidewalk’s
pouting lip.
Eyes are arrested
as the jaws of life
lick their horrible
savior’s lips.
IV.
The poetry in this scene
is ripe for the picking;
it pulses red onto
the pavement
in neat and staining
stanzas;
sonnets seep
out of their skin
and into my crimson
palms…
No, don’t you dare
write this down;
have some sense of
ceremony.
V.
But the way the hornet’s
triangulating shadow
blurs from
crimson to cerulean,
cerulean to crimson,
as he lies dead
on the windowsill-
is so terribly beautiful;
my hand itches
for the ink.
VI.
If I pocket
and pilfer
their pain
just to press it into
the shape of a poem
like some unlicensed
priestess-
there has to be a
sickness inside;
and I can’t trust
the pen to
scalpel it out anymore.
VII.
This catharsis
feels condemnable,
feels culpable,
feels cold.
Ink on my palms
resists the unfiltered
sink spit-
wretched spot,
die out and let me sleep.
Hush the unholy hands
of poetry’s theft.
Let me sleep, wordlessly.
Fingers pull in pulses
chill from plastic
of the Brita filter,
cradled like a newborn,
as I stumble out onto
the bedazzled street.
I ask them, empty
paper cups outstretched,
“need a drink?”
and their eyes
see through me
to the people
whose parts are
splayed on the street.
II.
One woman
holds her hand
over the candles
barely burning
in her eyes
so the chill
of November
won’t blow them out;
tonight is not a birthday.
The lilies that live
on the waxy skin
of the Dixie cup
bloom in bruises
blue and red,
as she sips
the lifeforce down.
III.
Police push us back
onto some sidewalk’s
pouting lip.
Eyes are arrested
as the jaws of life
lick their horrible
savior’s lips.
IV.
The poetry in this scene
is ripe for the picking;
it pulses red onto
the pavement
in neat and staining
stanzas;
sonnets seep
out of their skin
and into my crimson
palms…
No, don’t you dare
write this down;
have some sense of
ceremony.
V.
But the way the hornet’s
triangulating shadow
blurs from
crimson to cerulean,
cerulean to crimson,
as he lies dead
on the windowsill-
is so terribly beautiful;
my hand itches
for the ink.
VI.
If I pocket
and pilfer
their pain
just to press it into
the shape of a poem
like some unlicensed
priestess-
there has to be a
sickness inside;
and I can’t trust
the pen to
scalpel it out anymore.
VII.
This catharsis
feels condemnable,
feels culpable,
feels cold.
Ink on my palms
resists the unfiltered
sink spit-
wretched spot,
die out and let me sleep.
Hush the unholy hands
of poetry’s theft.
Let me sleep, wordlessly.